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Interview with Frithjof Schuon - on Art
The Perennial Philosophy Series
Science and the Myth of Progress
What are the "Foundations of Christian Art?"
Light on the Ancient Worlds: A Brief Survey of the Book by Frithjof Schuon
Ernest Thompson Seton explains "The Gospel of the Redman"
What bridges exist between Christianity and Islam?
Paul Goble's World: Native Americans' relationship to all created beings
What is Sacred Art?
Insights into the early Christian Desert Fathers and Mothers
Slideshows
  Where to look to "see God Everywhere"? Back to the List of Slideshows
    
slide 3 of 17

Symbolism is one of the means by which man can “see” God.  Frithjof Schuon in his essay "Seeing God Everywhere" elucidates:
Symbolism, whether it resides in nature or is affirmed in sacred art, also corresponds to a manner of “seeing God everywhere”….

How, then, do things symbolize God or “Divine aspects”? One cannot say that God is this tree, nor that this tree is God, but one can say that the tree is, in a certain aspect, not “other than God,” or that, not being non-existent, it cannot not be God in any fashion. For the tree has firstly existence, then the life which distinguishes it from minerals, then its particular qualities which distinguish it from other plants, and finally its symbolism; all of these are for the tree so many manners, not only of “not being nothingness,” but also of affirming God in one or another respect: life, creation, majesty, axial immobility, or generosity.

Symbolism would have no meaning if it were not a contingent, but always conscious, mode of perception of Unity; for “to see God everywhere” is to perceive above all the Unity—Âtmâ, the Self—in phenomena.
A tree in the gardens of Washington National Cathedral (in Washington, DC)

photo by Muniyba Khan,
who also conceived this slideshow
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